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Audio-Technica

Jul 1, 2007 6:17 PM

AUDIO-TECHNICA AT2010
March 2007—Audio-Technica (www.audio-technica.com) showed its AT2010 ($169), which brings the sound of its 20 Series to the stage at Winter NAMM 2007.


AUDIO-TECHNICA UPDATES ARTIST SERIES MICS
December 2006—The next generation of Audio-Technica's Artist Series adds new models while upgrading existing mics. The $299 ATM710 cardioid condenser, $249 hypercardioid ATM610 and $169 cardioid ATM410 dynamic vocal handhelds all offer low handling noise. New instrument mics are the $169 ATM650 hypercardioid dynamic, $369 ATM450 side-address cardioid condenser and $449 ATM350 cardioid clip-on condenser. The ATM350 comes with a violin mount and a flexible gooseneck mount; heavy-duty iso mounts are included with the ATM450 and ATM250/ATM250DE. Based on the AE2500, the $549 ATM250DE is a dual-capsule (dynamic/condenser) kick mic, and the $329 ATM250 is a single-element hypercardioid dynamic. Both are suited for upright bass and high-SPL (kick, toms, guitar/bass cabs and brass) sources.


AUDIO-TECHNICA ARTIST ELITE 5000 SERIES AEW-5255
November 2006—Audio-Technica's Artist Elite 5000 Series AEW-5255 ($3,999) includes two AEW-T5400 cardioid condenser handheld transmitters and one AEW-R5200 dual receiver with XLR output, ¼-inch TRS balanced jack and a headphone output. Another ¼-inch jack lets the user mute the system via a footswitch. The system offers 200 channels per band, available at 541.5 to 566.375 MHz, and 655.5 to 680.375 MHz. The system has two front-mounted UHF half-wave antennae and an IntelliScan feature, which automatically finds and sets the best available frequencies on all linked receivers. Its dual-compander circuitry processes high and low frequencies separately. The receiver's onboard Ethernet interface allows monitoring and controlling system parameters with AEW Control Interface software. All transmitters have a metallic chassis, programmable features, soft-touch controls and output power switchable between 10 and 35 mW. The transmitter operates up to eight hours on two AA alkaline batteries.

AUDIO-TECHNICA ARTIST SERIES
November 2006—Audio-Technica's re-engineered Artist Series line of live sound mics adds new models and upgrades classics for a complete selection of vocal, instrument and drum mics.


AUDIO-TECHNICA ARTIST SERIES
October 2006—Audio-Technica has completely re-engineered its renowned Artist Series™ line of live-sound mics, adding some innovative new models, and upgrading classics for a complete selection of vocal, instrument and drum mics. Highlights include the ATM250DE, an affordable dual-element kick drum mic; the ATM450, an innovative side-address pencil condenser; and the ATM710, a durable cardioid condenser handheld tailored for high-fidelity vocal reproduction; plus a generous selection of included accessories.


AUDIO-TECHNICA HYBRID EARPHONES
AUGUST 2006—Now available in the U.S., the ATH-EC7 GM ear bud/clip-on hybrid headphones from Audio-Technica's Import Series blend the comfort of an ear bud with the secure, adjustable fit of a clip-on. These lightweight phones have 15.5mm drivers with neodymium magnets for deep bass with extended treble response. (Total response is 10 to 24k Hz.) The unit's asymmetrical cord wraps around the back of the user's neck, draping over one shoulder, minimizing cable interference. Termination is a gold-plated stereo mini-plug. Retail is $249.95, including carry pouch and a 1-meter cable extension.


AUDIO-TECHNICA 3000 SERIES
September 2005—Audio-Technica has enhanced its 3000 Series UHF true-diversity wireless systems with Automatic Frequency Scanning, which automatically determines and sets the best available open frequency. Particularly useful when using multiple wireless systems, AFS avoids interference and intermodulation. The frequency-agile 3000 Series offers up to 16 simultaneous systems per frequency band, for a maximum of 32 simultaneous systems across two UHF bands (541.5 to 566.375 MHz and 655.5 to 680.375 MHz) with 200 selectable frequencies in each band. Two options are available (both include the ATW-R3100 receiver and rackmount hardware): the $699 ATW-3110a UniPak™ comes with a ATW-T310 bodypack and the $799 ATW-3141a system has a ATW-T341 handheld transmitter with the same capsule as the company's Artist Elite AE4100 mic. Both transmitters run from six to 10 hours on two AA batteries.


AUDIO-TECHNICA ARTIST ELITE AE6100
July 2005—Audio-Technica's Artist Elite AE6100 ($289) hypercardioid mic was designed for smooth on-axis response, maximum feedback rejection and low handling noise. Protecting the AE6100 against vocal popping is a hardened-steel grille lined with a fine steel mesh and a layer of open-cell foam. A foam disc positioned on top of the element provides an additional layer of pop protection. Frequency response is shaped to cut through stage monitor mixes and provides clean articulation. Frequency response is 60 to 15k Hz; impedance is 250 ohms. The mic exhibits an open circuit sensitivity of -55 dB (1.7 mV) ref. 1V at 1 Pa.


AUDIO-TECHNICA ARTIST ELITE AE5400
July 2005—The company's Artist Elite AE5400 ($579) is a large-diaphragm cardioid condenser mic for use in critical stage applications. Featuring the same large-diaphragm element as the AT4050 studio microphone, the AE5400 handles high SPLs while maintaining high-frequency performance and clarity. A multilayer grille protects against plosives and sibilance without compromising high-frequency response. Internal electronics are mounted on a high-quality, dual-sided PCB with an extensive ground plane to minimize electrical noise. The AE5400 incorporates a 10dB pad and LF roll-off (12 dB/octave @ 80 Hz) switches, and may be phantom powered with 11 to 52 volts DC. Frequency response is 20 to 20k Hz with a max. SPL of 147 dB @ 1% THD (157 dB w/pad); impedance is 150 ohms and noise is 14 dB, A-weighted.


AUDIO-TECHNICA AT892 HEADWORN MIC
APRIL 2005—The AT892 MicroSet™ omni-directional headworn condenser mic from Audio-Technica puts accurate sound in an inconspicuous, 2.5mm capsule. Offered unterminated or in versions designed to mate with popular wireless bodypacks, the AT892's high-comfort under-the-ear design provides a secure fit and is ideal for users with eyeglasses. The MicroSet includes two windscreens, two element covers, a cable clip and a protective carrying case, and is available in non-reflective black or theater-beige finish.


AUDIO-TECHNICA AT898 CARDIOID LAVALIER
September 2004—Intended for high-quality, low-profile operation, Audio-Technica's AT898 Subminiature Cardioid Condenser Microphone maximizes intelligibility with clean, accurate reproduction. A mere 5 mm in diameter, it's ideal for minimum-visibility applications and includes a case and complete accessory kit with three single and two double interchangeable mounts, clothing clip, viper clip, magnetic clip and two foam windscreens. The included AT8537 power module features battery/phantom power operation, switchable low-frequency roll-off and a low-impedance XLR balanced output. The wired version is $299; unterminated and wireless versions of the mic are also available for use with pro RF systems from A-T, Lectrosonics, Shure, Sennheiser and others.


AUDIO-TECHNICA WIRELESS ACCESSORIES
January 2004—Audio-Technica announces new accessories to enhance wireless reception in difficult environments for its Artist Elite 3000/4000 Series. The 1-in/4-out AEW-DA660D ($959) is an active, unity-gain UHF antenna distribution system for connecting a pair of antennas to up to four diversity receivers. The single-rackspace unit features a cascade output for driving additional distribution amps, detachable IEC power cable (with pass-through for daisy-chain AC hookups), 10 RF cables, front-mount antenna cables and DC power cables to power up to four A-T 3000 Series receivers. Also new is the $398 ATW-A49 Log Periodic Dipole Array (LPDA), a wideband UHF (440-900MHz) directional paddle antenna with 6 dB of gain and enhanced signal pickup.


AUDIO-TECHNICA ARTIST ELITE SERIES
April 2003—Audio-Technica's Artist Elite Series handheld mics include the top-end AE5400 cardioid condenser ($579) with a 1-inch capsule based on A-T's 4050 studio mic; the $439 AE3300 puts the sound of A-T's popular 4033 into a handheld package. Cardioid or hypercardioid dynamic models ($289/each) are also offered.


AUDIO-TECHNICA AE2500 DUAL-ELEMENT MIC
October 2002—A-T's Artist Elite dual-element AE2500 is the ultimate kick drum mic. The revolutionary AE2500 has two elements (cardioid and dynamic) positioned in a perfect phase relationship and enclosed in a single housing. The dynamic element delivers the aggressive attack of the beater, while the condenser captures the round tonalities of the shell. The AE2500 features an 80Hz highpass filter and -10dB pad, and it includes the new AT8471 isolation clamp. List: $699.


AUDIO-TECHNICA AE3000
October 2002—A-T's Artist Elite® AE3000 is a cardioid condenser for high-SPL instrument miking. This large-diaphragm, side-address mic features an 80Hz highpass filter and a -10dB pad, and it requires 11-52VDC phantom power. The AE3000 has a 20-20,000Hz frequency response, 137dB dynamic range, 11 dB of self-noise and 158dB SPL handling. It includes the new AT8471 isolation clamp. List: $379.


AUDIO-TECHNICA 7000 SERIES
July 2002—Audio-Technica's 7000 Series wireless family now includes the ATW-7373 Handheld Condenser Microphone System ($999), which comes with the company's ATW-T73 handheld transmitter and ATW-R73 wireless receiver. Available in two frequency ranges (656 to 668 MHz for channels 45 through 47; 728 to 740 MHz for channels 57 through 59), the automatic switching, true-diversity ATW-7373 system comes with a wide range of options including bodypack mics, antenna-distribution packages and joining plate kits. The ATW-T73 handheld mic/transmitter uses the same condenser as the company's legendary AT4033 studio mic, and users can select among 100 available television channels.


AUDIO-TECHNICA 40 SERIES
May 2001—Audio-Technica's 40 Series handheld condenser mics, including the AT4055 ($499), are essentially handheld versions of the company's well-used AT4050 studio mic. The AT4055's large-diaphragm element brings out an extended low end and handles high SPLs and features internal shock-mounting. AT's top-end vocal dynamic, the $270 ATM-61HE, has a high-output neodymium with a patented floating diaphragm that reduces handling noise. This hypercardioid mic has a frequency response of 50 to 18k Hz and is available in the ATM61HE/S model with integral On/Off switch and nonremovable grille. Retail is $270.

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