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Audio Technologies

Jul 1, 2007 6:04 PM

ATI AV8 SERIES
March 2004—ATI (Audio Technologies Inc., www.audiotoys.com ) has released the AV8 Series, a new product line of Cat-5/6 twisted-pair transmitters and receivers for composite or S-Video and stereo audio (balanced or unbalanced). These are the first products to be delivered in ATI's compact XFORM size — a ⅛-rackwidth package, with 1RU and 0.5RU-high variations. The AV8 can transmit video and audio signals up to 1,000 feet over twisted-pair UTP cable such as Cat-5/5e/6. UTP cable is a fraction of the size of coaxial cable, and much lighter, more flexible, easier to terminate and less expensive.


ATI SOUND PRESSURE LEVEL METER
November 2004—The SLM-100 SPL meter features a large, easy-to-read analog meter movement for quick and accurate measurements in factories, schools, offices and airports, or for checking acoustics of studios, auditoriums and home theater installs. It has a wide frequency response of 32 to 10k Hz and is equipped to make both A- and C-weighted measurements with peak or averaging response. The SLM-100 is also equipped with an SPL range selector, calibration control and a test signal output via an RCA jack. Retail: $79.


ATI PARAGON II
January 2003—The Paragon II Production Console from Audio Toys Inc. is designed for use in live sound, broadcast and theater applications. Offering 64 mic inputs and 12 stereo line input pairs, the Paragon II features eight mono and four stereo aux-send buses and eight stereo subgroups, eight stereo matrix outs, two main mono mix outs and two main stereo mix outs. All input channels have a stereo direct out and an insert send, each with its own level control. Fully expanded, the unit can provide more than 100 high-gain mic inputs. Audio-control capabilities include eight VCA groups and two VCA grand masters. Each channel has ATI’s famous 4-band parametric EQ, a compressor/gate and true LCR panning with LCR audio subgroup capability. An onboard computer stores/maintains all channel, group and master scene information within a flash microcontroller on every input, which enables the system to respond instantaneously, eliminating system boot-up and response wait times. Enhancement options include channel and aux mute memory, eight-scene or 256-scene snapshot fader recall, and full dynamic, SMPTE-based moving-fader automation. Prices start at $119,000.


ATI PARAGON II
September 2001—Complementing the company's Paragon II Monitor Console, the Paragon II Production Console from Audio Toys Inc. is designed as an analog FOH mixer for live sound, broadcast production and live theater applications. Offering 64 microphone inputs (expandable to 100), 12 stereo input pairs and a dizzying array of outputs (including eight mono and four stereo aux buses and eight stereo groups), the Paragon II features a fully equipped dynamics processing package on each input channel. ATI's new Distributed Intelligence onboard computer design stores and maintains all channel, group and master scene information within a flash micro-controller on every input channel, an architecture that enables the system to respond instantaneously, eliminating system boot-up and response wait times. Prices start at $119,000.

Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95

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