Who We Are

Viewed by users in over 225 countries Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.





  






		
			











		
	










	



	

	Mix Guides » 

	live sound » 

	new products

 » LCS Audio


		

		  

		    
			












[an error occurred while processing this directive]




		
		

		
LCS Audio


		
Jul  1, 2007  1:42 PM
		
		
		


		
		


		








			


   








































LCS MATRIX3
September 2006—CueStation 4.4 programming and control software for LCS Audio's (www.lcsaudio.com) flagship digital audio system, Matrix3, adds many new features, including password protection, enhancements to the Wild Tracks hard disk playback option, mixer parameter chasing, improved metering, additional control mapping functions and more efficient screen layouts.






































LCS CUECONSOLE
September 2005—The CueConsole from LCS is a modular control surface that works with the company’s Matrix3 digital audio mixer. The 48kHz/32-bit system supports up to 280 inputs, 512 outputs, 256 buses and a 256x512 matrix controlled by Space Map®, the multichannel panner standard with every LCS system. A CueConsole/Matrix system incorporates dedicated hardware, negating the need for a computer while running the show. Automation features one-button capture of all controls and individual wait and fade time settings for each fader, panpot and matrix. Additional features include unlimited presets and multiplatform software support (Mac OS X, Windows XP Pro, Linux). Options include built-in digital multitrack playback and a Variable Room Acoustic System. Pricing is dependent upon configuration; a FOH system with 48 inputs, 16 outputs, I/O processing and 32 motorized faders starts at around $110k.  

















LCS CUECONSOLE
January 2003—Level Control Systems offers the modular CueConsole product line, featuring extreme console flexibility and an all-digital signal path. Working in tandem with the company’s Matrix3 audio engine and CueStation control software, the CueConsole system provides all of the control and processing parameters to configure and run complex FOH and monitor systems. All processing functions—such as compression, parametric EQ, delay and virtual groups—are under dynamic control and are repeatable, enabling sound designers to create fluid crossfades and scene changes. CueStation control software also provides surround sound mixing capabilities. CueConsole controls the Matrix3 audio engines via four types of modular surfaces: Faders, Meters+, Transporter and Editor. Each surface is tailored to specific control functions, and they may be mixed and matched specifically for each application. CueConsole surfaces may be distributed for local and remote control via RS-422 and Ethernet connections, and Matrix3 audio engines may be digitally linked to provide up to 200 inputs and 512 outputs in analog, ADAT Lightpipe, AES/EBU and CobraNet formats. Because of the modular design and the ability to selectively reassign fader controls on-the-fly, CueConsole offers an extremely cost-effective and powerful solution when FOH mixing space is at a premium. CueConsole systems with Matrix3 and CueStation start at $60,000. 

















LCS CUECONSOLE
September 2001—Level Control Systems recently introduced its CueConsole, a proprietary control interface that works in tandem with the company's existing LCS system to provide a flexible all-digital FOH or monitor mixing platform that may be configured to match almost any requirements. One or more CueConsole systems may be linked to the LCS SuperNova™ or Matrix3™ audio engines via four types of control modules (Transporter, Fader, Meters+ and Editor). Multiple Matrix3 audio control system frames can be linked to provide a staggering 400-input/512-output system, all controllable from one CueConsole surface. (Multiple control surfaces may also be distributed for local submix control.) Because of the modular design and the capability to selectively reassign fader control to multiple inputs and outputs, the CueConsole offers an extremely cost-effective solution when FOH mixing space is restricted or expensive, a common problem for theatrical productions. CueConsole systems start at $80,000.


























	

	

		





	
Modern Recording and Mixing

	
	
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95







	
Mastering Cubase 4

	
	
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95






		

		

	









 







			



						

		

		

			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
Avid Webcast Promotional Video



	
MOST RECENT VIDEOS

			NAMM 2011: Fairlight CMI


			
State of NAMM 2011