[an error occurred while processing this directive]
Lectrosonics
Jul 1, 2007 1:45 PM
advertisement
LECTROSONICS VENUE
November 2006—Lectrosonics' (www.lectrosonics.com) Venue ($2,395 per complete channel) UT handheld transmitter and Venue modular receiver operate in UHF frequencies between 537 and 800 MHz in 25.5MHz blocks, with 256 frequencies per block; up to 70 channels are simultaneously operable. The Venue modular receiver can house up to six channels of either standard or tracking-filtered receiver modules in one rackspace, and it includes rear-mount antenna connections with DC power for RF amplifiers. The receiver shows transmitter battery level, audio level, signal strength, diversity mode and antenna phase (in switched mode). A Soundcheck mode helps determine potential dropout locations. The system's native Digital Hybrid Wireless mode provides compander-free audio with compatible transmitters, and compatibility modes allow use with older analog transmitters. The UT handheld transmitter ($1,745) has a Vari-Mic preamp with 3-band tone control. Available condenser capsules include cardioid, supercardioid and omni patterns. The system runs on alkaline 9V batteries for four hours, and can be monitored/controlled with supplied PC software, and networked via USB and RS-232. The SNA600 folding dipole and ALP600 LPDA directional antennae are optional.
LECTROSONICS DMPA12
October 2006—This is a 12-channel digital power amp/DSP processor in a single rackspace. Audio inputs are taken from the final mix bus via the Digital Audio Network Interface (DANI) bus. These final mix signals are processed individually at each output channel in the amp to apply delay, filtering, compression and limiting. In bridged mode two channels can combine to double output power. The DMPA12 can be controlled and programmed via USB interface or an RS232 serial port.
LECTROSONICS DM84 DIGITAL AUDIO PROCESSOR
September 2006—The latest product in Lectrosonics' DM Series of digital audio processors with LecNet2™ control software is the DM84. The unit can route any combination of inputs to any combo of outputs, and offers auto-mixing via a proportional gain algorithm, sophisticated filtering on each input and output, built-in delay on each input and output, and low throughput latency. Other features include eight mic/line inputs with four outputs, switchable phantom power, programmable front panel control knobs, and AMX and Crestron compatibility with USB and RS-232 interfaces for setup, control and daisy-chaining to additional LecNet2 devices.
LECTROSONICS RM CONTROLLER
March 2006—Lectrosonics unveiled its RM controller for its equally mini SM series of tiny, high-powered bodypack wireless transmitters. Acting like an acoustic modem (remember those?), the RM sends a coded data string to the transmitter, using the mic as the interface to remotely adjust parameters, such as frequency select, audio trim, lockout and sleep mode commands to an SM unit that may be otherwise inaccessible due to costuming, hair, etc. Brilliant!
LECTROSONICS WIRELESS TEST/MEASUREMENT SYSTEM
November 2004—Lectrosonics will unveil a wireless test and measurement system using its exclusive Digital Hybrid technology. The plug-on-type transmitter, model UH400TM, provides phantom power at 5, 15 or 48 volts to run any test microphone with 100mW transmission power for exceptional range. The receiver, model R400, uses advanced diversity technology for rock-solid reception. Because the signal is digitally encoded, there is no compandor in the system, thus the audio is equivalent to a 24-bit, 88.2kHz digital signal. This allows quick, large-scale system measurement without any cables. System response is 15 Hz to 20k Hz, ±0.5 dB.
LECTROSONICS UCR411 DIGITAL HYBRID WIRELESS
July 2002—Lectrosonics' UCR411 Digital Hybrid Wireless ($3,825) debuted at this year's NAB and promises to ship this month. The UCR411 receiver comes teamed with a choice of three different Lectrosonics lavalier microphones and either the company's UM400 belt pack or MM4000 mini-submersible belt clip mic transmitters. Aimed largely at the motion picture and high-end TV production markets, the UCR411 Digital Hybrid operates between 537 and 862 MHz (in 25.6MHz blocks) and is expected to be developed for studio and stage versions later in 2002.
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 
NAMM 2011: Fairlight CMI
State of NAMM 2011