Jul 1, 2007 1:52 PM

MACKIE TT24 DIGITAL CONSOLE OPTIONS
February 2007—Mackie (www.mackie.com) is now shipping the DS3232 digital snake ($4,999) and LP48 Lake Processor ($1,299) options for its TT24 digital live console. A U100 network card in one of the TT24's expansion slots, combined with up to 300 feet of Cat-5 cable, can connect to the DS3232 rack-mounted stage box. This provides remote access to mic gain with full recall of all parameters. When adding the UFXII card, the snake provides 32×32 remote mix channels and the onboard 24 mic/line channels combine for a 56×32 system. The LP48 brings Lake processing to the TT24 in three configurations: as a 4-in/8-out loudspeaker processor; providing up to 10 channels of Lake-designed insert EQ processing; or in a combo mode with five channels of insertable EQ and a 2-in/4-out loudspeaker processor.

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MACKIE QUAD SERIES PROCESSORS
January 2007—Mackie's Quad Series digital processors offer 24-bit signal purity with user interfaces designed for live sound. The Quad EQ ($1,199.99) is a 4-channel/30-band digital graphic equalizer that combines onboard SIA Smaart real-time analysis (RTA) and SPL metering. The front panel's 31 bi-color LED ladders let users view RTA and EQ settings simultaneously for visual reinforcement of EQ changes and their effect on the sound system. Quad EQ includes a reference mic for RTA and SPL monitoring, A/B/C-weighted SPL metering, built-in pink-noise generator, XLR and TRS analog I/Os and 99 user snapshots to store settings. The $999.99 Quad Comp/Gate has four channels of compression/limiting and expansion/gating with faster attack settings, 99 user presets, built-in key filters, a Key Listen feature and an Auto mode to eliminate pumping effects.

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MACKIE TT24 OPTIONS
September 2006—New options are available for Mackie's TT24 digital live console. An $899 UFXII DSP card provides 24 additional channels of EQ, gating and compression for a total of 48 fully DSP-functional channels. The new DS3232 digital snake has 32×32 channels of balanced XLR I/O and 32 mic preamp/converters in a stage box with remote input gain control from the TT24, and connects to the console via a U100 network card and Cat-5 cable. A LP48 Lake Processor Card can be configured in Lake Loudspeaker Processor mode as a 4-in/8-out loudspeaker processor for eight channels of balanced analog output with line-drive capability, or provide up to 10 channels of insert EQ processing including the Lake Ideal Graphic EQ™ and Lake Mesa EQ™.

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MACKIE M SERIES AMPS
June 2006—Designed to deliver two channels of high-efficiency power, Mackie's M Series amps are available in three configurations: the M-2000, M-3000 and M-4000, delivering 2,000/3,000/4,000 watts, respectively. These lightweight, Class-H designs feature Mackie's exclusive Adaptive Slewing technology for fast transients and a fully complementary differential design from input to output. The amps retail at $899.99, $1,099.99 and $1,299.99, respectively.

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MACKIE ONYX 24.4, 32.4
March 2006—Mackie expanded its Onyx Series with the 24/32-channel Onyx 24.4 ($1,849) and the $2,599 model 32.4. Both offer balanced signal paths, 4-band EQ, six aux sends, 6×2 matrix and a stereo comp/limiter section based on THAT's 4301 chip.

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MACKIE TT24
September 2005—Mackie’s TT24 is a midsized, 24-bit/96kHz digital console optimized for live sound. Each of 24 mic/line channels includes a 100mm motorized fader, rear panel XLR/TRS balanced input and TRS insert. Eight additional line inputs include 4-band EQ and can be stereo-linked (as can the mic/line inputs). A Select Follows Solo function automatically brings a soloed (or selected) channel to the desk’s QuickMix section for fast adjustment of EQ and dynamics. Three internal 31-band graphic equalizers can be used to process left, right and center outputs. Rear panel XLRs are provided for 12 aux sends, L/R and mono/center outputs. Digital connectivity includes ADAT optical, AES/EBU, S/PDIF, word clock and MIDI I/O. A USB port links the TT24 to a PC running Mackie’s TT Control software for control over every desk parameter. Two expansion card slots facilitate a variety of I/O options. Pricing starts at $7,199.

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MACKIE ONYX 80 LIVE MIXERS
February 2005—Designed specifically for live applications, the Onyx 80 console series from Mackie features the company's flagship Onyx preamps and the 4-band Perkins EQ. Available in 24/32/40/48-channel frames, all have a 10×2 matrix, four mute groups, an aux/group flip function, eight stereo aux return inputs and eight aux sends with a stereo link function for up to four IEM mixes. A modular bucket design and heavy-duty aluminum I-beam extrusions create a rigid, non-flex chassis; a redundant rackmount power supply is optional.

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MACKIE S400 SERIES
October 2005—Mackie unveils a series of EAW-designed, passive, flyable sound reinforcement speakers in a Tetrad design, with four 8-inch woofers surrounding a horn/compression driver with a 70x70-degree pattern. The ported plywood cabinet features flying and pole-mount hardware, and its tight pattern creates a near-point source effect.

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MACKIE SUPER ACTIVE SERIES
March 2005—Developed with EAW, Mackie’s new flagship Super Active Series sports silver grilles and a “z” model designation. These powered speakers range from 500 to 1,300 watts and feature single or dual 15-inch woofers, neodymium MF/HF drivers and 18mm Baltic birch ply enclosures.

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MACKIE SRM350
January 2005—Now shipping, the newest active loudspeaker from Mackie, the SRM350, is a two-way, bi-amplified unit said to be capable of 121dB SPLs. The unit combines a single long-throw 10-inch woofer and 1-inch compression driver mounted on an integral waveguide. Its asymmetrical, rugged, lightweight and high-impact plastic enclosure is geared for P.A. and floor monitor applications, and is easily transported via top and side handles; the cabinet can also be flown or pole-mounted. Besides its built-in 165W (LF) and 30W (HF) amps, onboard electronics include EQ, crossover, phase alignment and protection circuitry. The rear panel has a level control, mic/line switches and a Neutrik Combo connector for mic/line input. Retail is $699; a subwoofer is optional.

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MACKIE SUPER ACTIVE SERIES
March 2005—Developed with EAW, Mackie's new flagship Super Active Series sports silver grilles and a “z” model designation. These powered speakers range from 500 to 1,300 watts and feature single or dual 15-inch woofers, neodymium MF/HF drivers and 18mm Baltic birch ply enclosures.

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MACKIE ONYX 80 LIVE CONSOLES
November 2004—Like the Onyx small-format analog mixers, the Onyx 80 live consoles feature Mackie's flagship Onyx preamps and the renowned 4-band Perkins EQ. Available in 24/32/40/48-channel frames, all feature eight Aux Sends with Stereo Link function for up to four IEM mixes; an Aux/Group Flip function; 10×2 Matrix; four Mute Groups; eight stereo Aux inputs; and an optional redundant rackmount power supply.

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MACKIE TT24
May 2004—With 24 mic inputs for FOH/monitor work, the Mackie TT24 Digital Mixer is a 56x45, 8-group, 24-bit, 96kHz-capable LCR design featuring 100mm touch-sensitive moving faders, onboard analog and digital I/O, digital recall, 4-band EQ, 12 aux sends, dynamics, effects, 11x8 matrix and two expansion slots. A 5-inch touchscreen, eight function buttons and 12 rotary encoders provide quick access to key live functions.

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MACKIE LP48
May 2004—The LP48 Lake Processor expansion card for Mackie's TT24 Digital Live Desk can be used as a 4×8 speaker processor with eight balanced analog outputs or to provide 12 channels of Lake-designed insert EQ, including Lake Ideal Graphic EQ™ and Lake Mesa EQ™ with asymmetrical filters. The card can also be split-configured as six channels of insert EQ and as a 2×4 speaker processor.

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MACKIE DFX SERIES
April 2003—Mackie's DFX Series of 12- and 6-channel mixers are designed for the entry-level market: The DFX•12 is $479; the DFX•6 is $379. Both include 16 digital multi-effects, 5-band graphic EQ and an onboard vocal elimination circuit for karaoke use.

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MACKIE SR56•8
January 2003—The SR56•8 from Mackie is the company’s latest large-format analog sound reinforcement console. Laid out in a 56x8x3 configuration with eight subgroups, center master section, LCR main outputs, four extra stereo aux return strips and a 12x4 matrix mixer, the SR56•8 features Mackie’s VLZ input-channel circuitry for reduced noise and channel crosstalk. Channel EQ is 4-band with high and low sweepable mids and “Air” HF circuitry. Additional features include Mackie’s UltraMute computerized group-muting system, a flip switch for exchanging stage monitor application functions and a new “monorail” tapered fader design. Price is $13,999.

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MACKIE SR56•8
September 2001—The SR56•8 from Mackie is the company's latest large-format analog sound reinforcement console. Laid out in a 56x8x3 configuration with eight subgroups, center master section, LCR main outputs, four extra stereo aux return strips and a 12x4 matrix mixer, the SR56•8 features Mackie's VLZ input channel circuitry for reduced noise and channel crosstalk. Channel EQ is 4-band with high and low sweepable mids, and "Air" HF circuitry. Additional features include Mackie's UltraMute^™ computerized group muting system, a flip switch for exchanging stage monitor application functions and a new "monorail" tapered fader design. Price is $13,595.