Jul 1, 2007 1:47 PM

SOUNDCRAFT VI4
May 2007—Hot on the heels of the Vi6, Soundcraft (www.soundcraft.com) expanded its Vi digital live console series with the Vi4, which includes all of the Vi6's capabilities, but in a compact package for venues where space is at a premium. Just under five feet in length, the Vi4 offers access to 48 inputs on 24 faders with a total of 27 output buses and inherits the Vistonics II touchscreen interface and Soundcraft FaderGlow features from the Vi6.

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SOUNDCRAFT VI4
April 2007—Soundcraft expanded its Vi digital live console series with the Vi4, which includes all of the Vi6's capabilities, but in a compact package for venues where space is at a premium. Just under five feet in length, the Vi4 offers access to 48 inputs on 24 faders with a total of 27 output buses and inherits the Vistonics II touchscreen interface and Soundcraft FaderGlow features from the Vi6.

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SOUNDCRAFT VI6
October 2006—Soundcraft's Vi6 digital live sound console uses a derivation of Studer's Vistonics interface (rotaries and switches mounted within the touchscreen surface) to enable engineers to very quickly and intuitively operate the desk. Other Vi6 amenities include 64 available channels from within a compact 32-channel frame, motorized faders, 32 outputs (plus a stereo and mono mix) and 16 matrix outputs, four-band fully parametric EQ and integral dynamics on all channels, 'Soundcraft FaderGlow' and Harman HiQnet compatibility.

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SOUNDCRAFT SHIPS VI6
September 2006—Soundcraft is shipping the Vi6™ digital live desk. Its touchscreen color TFT monitors with rotary control/switches mounted on the glass is based on Studer's Vista consoles. Standard are 64 input channels in two layers of 32 motorized faders assignable to 32 outputs. FaderGlow™ multicolor LED illumination marks fader assignments at a glance. I/Os are in a stage box that connects via MADI over Cat-5 to the board (or a second Vi6 for monitors), and the desk can act as control central for a Harman Pro HiQnet system of networked DSP, wireless, amps and speakers.

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SOUNDCRAFT VI6
March 2006—Soundcraft previewed its Vi6™ large-format digital live desk. The Vi6’s fast, intuitive operation (using touch-screen color TFT monitors with rotary controls/switches mounted on the glass) is based on Studer’s Vista consoles. (Both companies are owned by Harman.) Standard are 64 input channels in two layers of 32 motorized faders assignable to 32 outputs, which can be groups, auxes or matrix outs, plus stereo and mono mixes. FaderGlow™ multicolor LED illumination—orange for aux sends, green for groups, etc.—marks fader assignments for status at a glance. I/Os are in a stage box that connects via MADI over Cat-5 to the board (or a second Vi6 for monitors), and the desk can act as control central for an Hpro HiQnet system of networked wireless, DSP, amps and speakers.

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SOUNDCRAFT LIVE 8
March 2006—Designed for FOH, Soundcraft's 8-bus Live 8 is from the Spirit 8 lineage. With 16 to 40 mono input frames ($3,199 to $6,199) available — plus two stereo channels and eight stereo returns — Live 8 can put 60 inputs in a compact chassis.

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SOUNDCRAFT MH2
October 2005—The MH2 live performance console combines the sound quality and ergonomics of Soundcraft’s popular MH3 and MH4 desks, but with a more compact footprint and lower price. Like its siblings, the MH2 is capable of dual-mode (FOH/monitor) operation and features eight subgroups, 10 auxiliary buses, eight VCA groups, six mute groups, LCR panning, 24 to 48 mono channel frame sizes (all plus four stereo channels), four stereo returns and an integral 11x4 matrix.

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SOUNDCRAFT MH2 DUAL-MODE CONSOLE
August 2005—The MH2 is the newest MH Series dual-mode (FOH/monitor) console from Soundcraft. Designed for touring and fixed use, the MH2 offers eight subgroups, 10 aux buses, eight VCA groups, six mute groups and an 11x4 matrix. The MH2 is available in 24, 32, 40 and 48 mono-channel frame sizes, each with an extra four full-function stereo inputs and four stereo effects returns. Prices range from $11,595 to $16,950.

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SOUNDCRAFT GB8
March 2005—Soundcraft's GB8 is an 8-bus version of its successful GB4 mixers in 16 to 64-channel models. Features include an 11x4 matrix, four mute groups, optional backup PSU, L/R plus mono outputs and a dual-mode design for front-of-house or monitor duties.

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SOUNDCRAFT GIGRAC 1000ST
November 2004—Soundcraft's new GigRac 1000st integrated mixer/amplifier combo improves upon previous GigRac models by offering 1,000 watts of output power (500 watts per channel into 4 ohms) and full stereo operation, including expanded 3-band EQ on the inputs, two 7-band graphic equalizers and 10 high-quality preset digital effects. Designed for gigging bands and presentation systems, the compact and lightweight GigRac 1000st requires only speakers and cables to complete a versatile and powerful portable sound reinforcement system. Retail: $749.99.

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SOUNDCRAFT GB4
November 2004—The GB4, named after Soundcraft founder/designer Graham Blyth, is a surprisingly affordable dual-mode, four-bus mixing console notably featuring the same preamp and EQ topologies as the popular MH4, 15 total buses (four subgroups, plus LCR and eight aux sends), four mute groups and a 7x4 matrix. Available in 12 to 40-mono channel configurations (each with two stereo channels), the GB4 also boasts switchable direct outputs on every channel and a high-quality limiter on dedicated record outputs. Retail: $2,399 to $5,999.

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SOUNDCRAFT GIGRAC
May 2004—The Soundcraft GigRac has two low-cost ($430/650) powered mixers to make gigging easy with eight line/mic inputs (with 2-band EQ and phantom power), 7-band master EQ, internal digital effects, single or dual 300W amps and a road-ready case that also stores mics and cables.

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SOUNDCRAFT LX7II
April 2004—The upgraded LX7ii live mixing desk from Soundcraft features improved mic preamp and EQ sections designed by company founder Graham Blyth. Available in frame sizes up to 32 mono inputs (with four stereo inputs/returns), the LX7ii offers 4-band sweepable mid EQ based on the design used in the high-end MH3 and MH4 touring boards. Other features include six aux sends, direct outs on the first 16 inputs for multitrack recording, four output groups, a main stereo out and a dedicated mono out for center clusters.

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SOUNDCRAFT MH4
April 2003—Soundcraft's MH4 is designed for FOH, monitor or shared FOH/monitor duties, in 24- to 56-input versions — plus four stereo input modules that can be moved and swapped with any mono input on the board. Priced from $23,995, the totally modular MH4 offers 20 aux buses, eight VCA and eight mute groups with snapshot automation, true LCR panning and outputs, and integral 20×8 matrix.

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SOUNDCRAFT SERIES FIVE
January 2003—The award-winning Series FIVE line of mixers from Soundcraft is designed for a wide range of live touring and theater applications. Various frame sizes are offered, all with an additional four stereo mic/line inputs: 56 mono plus four stereo, 48+4, 40+4, 32+4 and 24+4. All Series FIVE models feature fully parametric 4-band EQ and sweepable filters on both mono and stereo inputs, 12 aux buses, eight subgroups, 10 VCA groups and LCR master outputs. A 16x10 output matrix allows for an additional send to be derived from the eight subgroups, LCR masters and aux buses 1 through 4, plus an external stereo line input; there are also three alternate stereo outs, one via 100mm faders and the other two on rotary pots. MIDI control allows for eight mute groups and up to 256 mute snapshot, plus MIDI control of external effects. Other features include LCR panning on inputs, comprehensive metering and a rugged power supply with onboard voltage display. Prices range from $54,995 for the 40+4-input version to $61,495 for the 48+4 and $72,950 for the 56+4. A 24-input expander module is also available for an additional $34,995, allowing for the creation of an 80+4 mix console for $107,945.

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SOUNDCRAFT MH4 56-CHANNEL
October 2002—Soundcraft has topped off its MH4 family of multipurpose live performance mixing consoles with a new 56-mono/4-stereo-channel frame size. The design topology of the MH4 allows it to serve as either a dedicated FOH or monitor desk, or as a combination of both. The console features 20 auxiliary buses, new mic amp and EQ designs, eight VCA and eight mute groups with snapshot automation, true LCR panning and outputs, and integral 20x8 matrix. MSRP: $42,995.

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SOUNDCRAFT SERIES FIVE
September 2001—The analog Series FIVE from Soundcraft USA is designed for a wide range of live touring and theater applications. Various frame sizes can accommodate from 24- to 56-channel configurations; LCR panning, 100-millimeter faders and a built-in 16x10 output matrix are standard. Each input channel offers four stereo mic/line inputs with fully parametric 4-band EQ and sweepable filters on both mono and stereo inputs. The Series FIVE is also MIDI-controllable. Price is $61,495 for the 52-input version.